This book has been on my to-read list since I first heard about it. I was drawn in by curiosity about the people who create the shows we watch and that having an entire evening of TV being dedicated to shows lead by one show-runner is a major deal. The Shonda-land shows are filled with tough, powerful, outspoken women and yet Rhimes impresses on readers that a few years ago this was not reflected in her own life. In the Year of Yes, Rhimes speaks openly about how a simple comment from her sister made her take on a project of saying yes to many things, first and foremost being the things that scared her. As a writer she calls her process as one similar to that of her childhood adventures playing in the store cupboard of her mother's kitchen, sitting in the dark and coming up with characters and stories, finding strength there. She talks about how she wrote the strong characters of her TV shows, particularly Cristina Yang, as a form of wish fulfilment. Rhimes classifies herself